Considered by some critics and authors to be one of Chuck Jones’ minor masterpieces, No Barking took its bow (-wow) in theaters February 27, 1954.  Starring the nervous scavenger of love, food and affection, Claude Cat, and the irrepressible Frisky Puppy, it details Claude’s life’s pitfalls and pratfalls, highlights and lowlifes.  Making his only cameo appearance in a career that began in 1942 with his début in Bob Clampett’s A Tale of Two Kitties is that blue-eyed avian avenger, Tweety Bird. 

Tweety Bird was first painted pink (until 1945’s A Gruesome Twosome, when one of the cats calls him ‘a naked genius’ tipping off the censors…) and starred in over forty cartoons at last count, including the 1947 Oscar-winner, Tweetie Pie (begun by Clampett and steered to Oscar glory by I. Freleng after Clampett’s departure from Warner Bros.  Spellings of Tweety/Tweetie vary from publication to publication and from film to film.)

Cameo appearances by stars have a long tradition in the film industry and are one of the delights of the movie-going public.  As unexpected as it is to see Tweety Bird in a Chuck Jones cartoon, it is that very surprise that tickles the viewing audience and creates a memorable film experience.  And not only does Tweety make a cameo appearance, he also utters, that by then ubiquitous catch phrase, “I tawt I taw a puddy tat!” as Claude Cat goes sailing past him to the wide blue beyond.

Uniquely animated by the very talented Ken Harris, No Barking also was graced with the layouts of Maurice Noble, story by Michael Maltese and backgrounds by Philip DeGuard.  Mel Blanc provided the voices with musical direction and orchestrations by Carl Stalling and Milt Franklyn (musical theme: “Little Dog Gone”.)